I stayed in that zone a lot of the time when I was shooting it, a lot of walking around in circles kind of muttering to myself. Pretty much every scene is a high-intensity psychological breakdown.
#LIGHTHOUSE KEEPER JOBS 2017 MOVIE#
What kind of prep do you have to do to shoot a movie like this? Robert Pattinson The more water is sprayed on you and poo is shoved in your face, you act less and less and less. I guess it was pretty cold, but I think in terms of just giving you loads more to react to, I’m always looking for any way to act less. The Lighthouse is kind of like a nightmare, but it also looks like it might have been a nightmare to shoot, in all of that rough “New England” weather. Our conversation, which has been edited and condensed, follows. I recently talked to Pattinson by phone about what he looks for in a role, working with Eggers on The Lighthouse, and why he feels a “lot of shame” over all the lobster he ate on set. The Lighthouse, starring Robert Pattinson and Willem Dafoe, is easily one of the wildest films of the year By the end, he seems capable of anything. Pattinson brings his signature intensity to the role, starting out straight-laced and gradually growing more wild-eyed. Pattinson’s character is the younger, less experienced seaman of the two, and his partner enjoys hazing him he’s also haunted by dreams (or are they?) of a screaming mermaid and his own curiosity about what’s actually going on at the top of the lighthouse at night. It’s devilishly fun, and both actors look like they’re having the time of their lives. (Also, there are a lot of bodily fluids in this tale.) It’s somehow a whacked-out period comedy populated by saltily bearded sea dogs, a psychosexual drama about dramatically fractured psyches, a Beckett-style dive into guilt and shame, and, at moments, kind of a take-off on Aquaman. The film strands the pair on an island with a lighthouse and some devious seagulls, surrounded by a fierce sea. Willem Dafoe and Robert Pattinson in The Lighthouse, 2019. Drawing on Melville, surrealism, fishermen’s lore, and a lot more, it’s a 19th-century tale centering on Pattinson and Dafoe as two men slowly driving one another mad. Pattinson stars opposite Willem Dafoe in the film, which made its premiere in the Director’s Fortnight section at Cannes in May. Enter The Lighthouse, a nightmarish black-and-white tale from Robert Eggers, director of the 2016 horror film The Witch. So playing a grizzled lighthouse keeper with a secret seems like a logical next step. Between playing a space-traveling ex-con father in Claire Denis’s 2019 film High Life to a self-destructive billionaire in David Cronenberg’s 2012 Cosmopolis to a hapless petty criminal in Josh and Benny Safdie’s 2017 Good Time, Pattinson has carved out one of the most eclectic careers in American cinema. In his post- Twilight years, Robert Pattinson never seems to do the same thing twice.
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